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Rumi
as Miss Lucille Higgins from Peoria coming to see Sylvester doing
a floor show as Miss Ruby Blue from Chicago. Photo by David
Wise
"Steven Arnold
was instrumental in bringing the Cockettes together for the very
first time. The MIDNIGHT MOVIES and later the NOCTURNAL DREAM
SHOWS at The PalaceTheater, where Steven and Michael Wiese showed
rare historic films, created an atmosphere where San Francisco
artists and eccentrics could mingle and meet. Steven was always
flanked by this magnetic entourage and working artists like The
Joseph, Ruth Weiss, Pandora, Nikki and Joanne. If it hadn't been
for Steven, the Cockettes might not have met.
Prior to that, a performance
group arose out of Berkeley known as The Floating Lotus Opera
Company under the direction of Daniel Moore with Zilla, Charles
the organist, Hibiscus, and others. I wasn't in the group, I was
just sleeping with them. It was New Years Eve, 1969, Steven asked
The Opera Company to be the opening act and invited the Cockettes
to follow them. When The Opera Company left the stage, they left
all their props.
The Cockettes leapt
onto the stage immediately following and danced wildly as they
played The Stones "Honky Tonk Woman" twice. Scrumbly
landed on the Opera Company's prayer scroll, Johhny stepped into
the footlights completely naked, and I ran in front of him to
cover him with a fur coat. It was then that I crashed into a giant,
illuminated, glass mirrored ball which blew up in smoke. We totally
decimated their props, and as far as I know, they never performed
again.
Steven Arnold and
Hibiscus shared a similar vision and affiliation with Cocteau.
It was at the
San Franciso Film Festival that Steven was asked did he recognize
his similarity to the Opium flavored, psychoanalytic-surrealist.
Steven slowly perused the room from left to right, as he quietly
offered..."I am Cocteau." However, LSD had been added
to the recipe, and Hibiscus, Steven and the Cockettes set a precedent
of reveling in make-up, feathers, glitz and goop.
As the audience entered,
Steven stationed Cheryl dressed as a Gypsy in the ticket booth
collecting the small admission price. Hibiscus, who did not believe
in money or collecting it, always insisting the shows should be
free. After all the paying customers arrived, he was known to
open the side doors and let the rest of the audience in for free.
The nudity, could have been a problem, considering how North Beach
police terrorized and censored Lenny Bruce only a few years earlier.
The Chinese Chew family that operated the Palace Theater, was
saavy and paid off the police, so nudity and profanity were never
a problem.
Johnny and the other
Cockettes had naked carte blanche and the ambience it created,
made The Palace Theater a safe haven for John Waters and his up
and coming star - Glenn Milstead, the hairdresser/interior designer
from Baltimore, who came forth and performed with The Cockettes
at The Palace Theater once and forever to be known as Divine."
- Rumi Missabu -

The
Cockettes featured in Steven Arnold's androgenous cult classic
Luminous Procuress . Photo by Scott Runyon

Steven
dirdecting The Cockettes on the set of Luminous Procuress at the
Seventeenth St. Studio and location of the first Nocturnal Dream
Shows. Photo by Ingeborg Gerdes
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